The Cartoon Music Book
| Author | : | |
| Rating | : | 4.30 (774 Votes) |
| Asin | : | 1556524730 |
| Format Type | : | paperback |
| Number of Pages | : | 336 Pages |
| Publish Date | : | 2013-10-17 |
| Language | : | English |
DESCRIPTION:
Helpful Freddie D. Chambers Helpful.. Rick Goldschmidt said Bravo!. Finallya book on the GREAT cartoon music composers! AND it includes the way under-rated MAURY LAWS of RANKIN/BASS fame! Greg Ehrbar did a wonderful job on this chapter and his DISCOGRAPHY in the back of the book! They are all here.from CARL STALLING to HOYT CURTIN and even the modern cartoon music writers! This book was a LONG time coming! THANKS!. One of the few books on the topic. karengersh I purchased this book to find out more about music in animation. This was a great book. Its small paperback style is notto be underrated. The author discusses the composers, studios and characters that make up the most popular animatedfilms from the Golden Age of the genre. (ca. 1935-55). Good for students of film and film music studies.
That thesis epitomizes the book's overriding purpose. Recommended for all libraries.Eric Hahn, Fargo, NDCopyright 2002 Reed Business Information, Inc. They explore the tune-toon symbiosis of Disney and Warner Brothers golden age composers (Leopold Stokowski, Carl Stalling), as well as of contemporary toonsmiths (e.g., Mark Mothersbaugh of Rugrats and Alf Clausen of The Simpsons). From Library Journal "Just try watching a classic Tom and Jerry or Bugs Bunny cartoon with the sound off, and see how flat the jokes fall," offers pop music critic Neil Strauss in this compilation of essays, interviews, an
The popularity of cartoon music, from Carl Stalling’s work for Warner Bros. This lively and fascinating look at cartoon music’s past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for Rugrats, Alf Clausen about composing for The Simpsons, Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott’s work, Will Friedwald about Casper the Friendly Ghost, Richard Stone about his music for