Fantastic Tales: The Photography of Nan Goldin
| Author | : | |
| Rating | : | 4.46 (616 Votes) |
| Asin | : | 0911209638 |
| Format Type | : | paperback |
| Number of Pages | : | 91 Pages |
| Publish Date | : | 2018-02-04 |
| Language | : | English |
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Jonathan Weinberg's many publications include Speaking for Vice (1993); Ambition and Love in Modern American Art (2001); and Male Desire: The Homoerotic in American Art (2005). His paintings are in the Metropolitan Museum of Art and other important collections. He is co-editor of The Social and th
His paintings are in the Metropolitan Museum of Art and other important collections. Joyce Henri Robinson is Curator at the Palmer Museum of Art and Affiliate Associate Professor in the History of Art Department, The Pennsylvania State University. Her numerous publications include An Endless Panorama of Beauty (2003), also distributed by Penn State Press.. About the AuthorJonathan Weinberg's many publications include Speaking for Vice (1993); Ambition and Love in Modern American Art (2001); and Male Desire: The Homoerotic in American Art (2005). He is co-editor of The Social and the Real, forthcoming from Penn State Press
If each picture is a story, then the accumulation of these pictures comes closer to the experience of memory, a story without end.” —Nan Goldin This book accompanies an exhibition of Nan Goldin’s photographs, drawn from the private collection of Gerry and David Pincus and jointly organized by the Palmer Museum of Art at The Pennsylvania State University and the Pennsylvania Academy of the Fine Arts. Stories can be rewritten, memory can’t. In contrast to most earlier writers on Goldin’s work, who have emphasized its documentary character, Weinberg addresses the ways in which Goldin’s photographs might be said to constitute “fantastic tales.” Weinberg considers the narrative construction of Goldin’s work from a double perspective—personal as well as critical—that complicates even as it enriches his interpretations.. Jonathan Weinberg’s essay for this catalogue considers a number of Goldin’s now-classic photographs as well as her more recent, almost Baroque forays into landscape. “We all tell stories which ar