Donald Judd
| Author | : | |
| Rating | : | 4.34 (580 Votes) |
| Asin | : | 1891024892 |
| Format Type | : | paperback |
| Number of Pages | : | 288 Pages |
| Publish Date | : | 2017-12-15 |
| Language | : | English |
DESCRIPTION:
Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor or mounted on the wall. Contributors Nicholas Serota (Director of the Tate), Rudi Fuchs (former Director of The Stedelijk Museum, Amsterdam), American critics Richard Schiff and David Raskin, and British artist and critic David Batchelor explore the conflicts between previous critical interpretations of Judd and his own philosophical, political, and moral understanding of his work. This lavishly illustrated survey features 41 works from collections around the world, many of them large scale, each illustrated with full catalogue entries alongside many other major works by Judd. Initially constructed by hand, the sculptures were later industrially manufactured in galvanized iron, steel, Plexiglas, and plywood. A section on Judd's installations at Marfa in Texas, and
Convinced that Abstract Expressionism had deteriorated into fakery, Judd began around 1960 to search for an art free of falsehood. He died in 1994. In search of a greater simplicity and clarity, he evolved a formal vocabulary of identical rectangular units constructed of industrial materials. . About the AuthorDonald Judd was born in 1928
Convinced that Abstract Expressionism had deteriorated into fakery, Judd began around 1960 to search for an art free of falsehood. In search of a greater simplicity and clarity, he evolved a formal vocabulary of identical rectangular units constructed of industrial materials. . He died in 1994. Donald Judd was born in 1928
The One to Have Patrick Winters If you only buy one Donald Judd book in your lifetime, this may be the one to have. Beautifully designed and produced, with gorgeous full-bleed color reproductions, it is comprehensive in covering all the major aspects of his production (prints possibly excepted), including early paintings, the transition to sculpture, the late work, and the work on major art environments, i.e. Marfa and Spring Street. Most effectively, it groups major aspects of