Digital Cinema : The Revolution in Cinematography, Post-Production, and Distribution
| Author | : | |
| Rating | : | 4.99 (861 Votes) |
| Asin | : | 0071429638 |
| Format Type | : | paperback |
| Number of Pages | : | 384 Pages |
| Publish Date | : | 2016-05-09 |
| Language | : | English |
DESCRIPTION:
Digital Cinema Bourgeois Photography I found myself thinking, "The stuff that is in this book is outdated." The cameras that he says are new were true for the time but not now.This book did a great job of explaining to me, the history in cinematography. And again for me, if I was interested in history it would have been a decent book, hence the moose 3. However, I am ne. "A Must Read for Digital MovieMakers!" according to Steven Schindler. This is a good introduction to all the big changes happening in moviemaking and movie projection.Those changes all involve the move from film to digital that's allowing people who don't have millions ofdollars to make movies anyway with "prosumer" cameras-provided they know what they're doing and havea good script.I especially like C. Stuart Volkow said A comprehensive must-read for anyone in the movie biz today. In clear understandable style, with supporting interviews from industry pros, Brian has brought together the essential technological chops to understand the digital transformation that will soon impact almost every aspect of movie production and distribution. This is not a how-to guide, nor a product critique. It is a book that will
Now Brian McKernan, founding editor of Digital Cinema magazine, provides an up-to-date look at how new digital technologies are reshaping the movie industry. The digital cinema revolution is the result of years of progress in the technologies of film, computer graphics, and high-definition television. . Digital cinema -- how it came about, its history and pioneers Understanding digital image compression The latest camera choices for digital cinematography -- from high end systems to the affordable world of indie filmmaking Audio and the cinema -- why sound is half
He originated the Digital Cinema Summit at the National Association of Broadcasters' annual conference and is the co-founder of the Digital Cinema Society. . The co-editor of McGraw-Hill's Creating Digital Content, he was editor of Videography magazine from 1987 to 1999 and the Age of Videography special edition. Brian McKernan has been writing about med
This title includes digital Cinematography - how to photograph and shoot in digital, and how it's different from film; plus, Nonlinear Editing - software, basic techniques and cost savings.. With its huge cost-saving potential, digital cinema is the biggest thing to happen to the movies since sound. This is the first complete overview of digital cinema technology, clearly detailing how each phase of the moviemaking process, shooting, postproduction, delivery, and exhibition, are changed by digital technology